Autobiography of an pennington

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Autobiography of an pennington: This is a new

Pennington identifies this as a distinctive form that has received relatively little concerted critical attention. Her own analysis, informed by narratological theory, makes a strong argument for the importance of this genre. In the examples she provides, the fictional autobiography enacts a delicate interplay among disparate narrative possibilities: between an essentialist, private self and a self constructed through external observation; between the first-person narrator as story-teller and as character, and between that narrator and the author.

Pennington persuasively argues that fictional autobiography is a genre worthy of greater scrutiny, and that it has a privileged status in its ability to elicit from readers an understanding of the constructed nature of human character. David Copperfield figures importantly in two phases of the study. Her ineffectuality as a helpmeet provides proof that he has become an author on his own.

Autobiography of an pennington: Kaleen, A.C.T.: J. and D. Pennington,

And the model of domesticity Vol. Pennington shows that the narrative form and genre expectations associated with the fictional autobiography in the Victorian period engages readers in a sustained meditation on the fictional processes that construct selfhood both in and beyond the text. Through close readings of Jane Eyre, David Copperfield, and other well-known examples of the subgenre, Pennington shows how the Victorian fictional autobiography subtly but persistently illustrates that all identities are fictions.

Despite the subgenre's radical implications regarding the nature of personal identity, fictional autobiographies were popular in their own time and continue to inspire devotion in readers.