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The Portrait of a Writer 4. Dome: Episode One it was amazing 5. King of Kings it was amazing 5.
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The Sea liked it 3. No clutter. No fluff. You get it: small changes snowball into big results. Brush your teeth. Go for a walk. Write one sentence. Build a better you, brick by brick, like some IKEA nightstand of self-improvement. The structure is a metronome—beat by beat, anecdote by framework by summary. Habit stacking. Identity-based habits.
Cue, craving, response, reward. The metaphors? Clean, but safe.
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No dark corners. No surreal leaps. But missing the spice. His sentences are lean, stripped to the sinew, every word a dagger. The hunger for victory that feels like swallowing a mouthful of broken glass—sharp, intoxicating, and inevitable. And the metaphors?
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Pressfield makes you feel every inch of the battlefield: the blistering heat, the cold fear, the sticky, coppery taste of failure. And the ending? It wrecks you. The kind that strips you bare and leaves you grateful for the pain because it means you felt something. It demands it. Kleon talks like your inner voice after two beers—casual, punchy, and just sharp enough to sting.
The book smells like fresh Sharpie on poster board—bold, utilitarian, kind of high on its own fumes. The Perfect Match. Back to top. Get to Know Us. A quote by someone once deemed the wisest man alive would be the perfect motto, one might think. In my failure to reference smarter words than mine I was right. The circularity of it and the transformation of success, from failure, is something that appeals to me.
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Socrates, in spite of his wiseness, made enemies, left no written works himself and infamously had to kill himself for his beliefs. His philosophy and teachings have survived millennia in spite of these setbacks. I would even argue that precisely because of them, his life and work were chronicled by his students and studied so intensely afterwards.
Failure can be catalyst and inspiration, given proper circumstances. The teachings from failure can be harnessed by others for better outcomes. Here, you won't find stories that fit neatly into boxes. I write for the outliers, the ones who have stared down the void and lived to tell the tale. Every story is a little act of creation and destruction—a shot of truth, a bit of light in the darkness.