Polixeni papapetrou biography of martin

The modern pop ethos is as suspicious of pristine, innocent origins as it is in awe of transcendent, incandescent stardom.

Polixeni papapetrou biography of martin: The Melbourne, Australia–based photographer

Through telemovies, songs and a flood of biographies both elevated and trashy, we rehearse the primal division of Marilyn from Norma, but we finally believe in the humanity of neither figure; both are mere creations, images. And these images consumed, to the point of death, the individual who fragilely incarnated them. Marilyn was double, and she was also — even in her lifetime — ceaselessly redoubled.

She comes over as both domesticated and wild, guileless and predatory, scheming and dumb. All her most memorable movies, including NiagaraBus StopSome Like It HotThe Misfits and Monkey Businessplay on the thrilling and ambiguous oscillation between these extreme possibilities contained in her persona. Marilyn was born to cinema as a composite image in an era when — with the help of Widescreen and Technicolour — pop culture revelled in its own exaggerated artificiality and makeshift nature.

The disguises, masks and outfits worn by the characters in these pictures change young bodies into old, children into animals or into anthropomorphic figures. In Lost Psyche Papapetrou evokes a lost past of symbolic roles that are at the end of their place in history. Using painted scenic backdrops, a practice she returns to after 10 years, masks, costumes and child actors, she weighs up the persistence of some historical conditions and the disappearance of others.

The lost parts of the psyche are poetically reconstructed through metaphors of childhood — which for adults is also a memory. The seasons of growth, blossoming, and wilting are visibly illustrated in the life cycle of the flower which also highlights our mortality. The girls in the photographs are adorned with floral arrangements to reflect on their metamorphosis from child to adolescent and adolescent to adult, and a oneness with the world, fertility and the cycles of life.

Polixeni papapetrou biography of martin: Polixeni Papapetrou was inspired

The girls are enclosed in a floral embrace that symbolize their unity and acceptance of this miraculous thing we call life. Papapetrou's photographs of her daughter have caused controversy. Papapetrou was diagnosed with breast cancer in She recovered and was given the all-clear, but relapsed five years later. In lateshe was told she had just days to live, and moved back home to receive palliative care.

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Polixeni papapetrou biography of martin: Pop mythology has enshrined her

Retrieved 5 June Polixeni Papapetrou. Retrieved 12 June Centre for Contemporary Photography. Archived from the original on 19 March NGV Australia. Art and Australia. Retrieved 14 June Australian Centre for Photography. ISBN U-T San Diego. Blouin Artinfo.

Polixeni papapetrou biography of martin: "Polixeni Papapetrou's art has

Tales of Light. Wall Street International. The Wall Street Journal : A The Age. Athens Photo Festival. Retrieved 16 November European Month of Photography Berlin. Monash Gallery of Art. The Sydney Morning Herald. Retrieved 14 August Photo Lux Festival. Photography Now.